Post-Totalitarian Cinema in Eastern European Countries:Models and Identities



Post-Totalitarian Cinema in Eastern European Countries:Models and Identities

The book gathers 21 studies by researchers and academics from eight countries (Bulgaria, Canada, Georgia, Kazakhstan, North Macedonia, UK, Romania and Serbia) that analyze the evolution of cinema in the former communist countries, identifying both common models and specific phenomena.

The studies were presented at the conference of the same name, which took place in Velingrad (Bulgaria) between 2 and 5 November 2018   an event otganized by the Institute of Art Studies in Sofia.

Among the contributors is Marian Țuțui („G. Oprescu“ Institute of Art History), author of the paper 30 years of post-communist cinema in Romania divided into four periods.

Надежда Маринчевска (ред.). Посттоталитарното източно-европейско кино — модели и идентичности. Доклади от международна научна конференция, 2—5 ноември, 2018, Велинград


Transition, crisis, identities, typologies

I. Daraktchieva. Bulgarian film 1988—2018: Crossing borders, conquering territories

N. Marinchevska. Rethinking national identity crises in Bulgarian animation: The new generations

Z. Dolidze. The national film transition period in Georgia (1991—2000)

M. Țuțui. 30 years of Post-Communist cinema in Romania divided into four periods

A. Martonova. Identity dialogues: An approach towards the theoretical framework in the aspects of modern Bulgarian film

A. Donev. On the typology of self-financed Bulgarian feature films after 1990

A. Chuposki. Macedonian film after the fall of communism

A. Staykov. Considering the crisis in Bulgarian film of the decade after the fall of the totalitarian regime

Toponyms, migration, gender

A. Forbes. The Balkans’ Europolis: Sulina as synecdoche

R. Ranković. Migration of young people in Serbian cinema: Go, stay or come back?

C. Stojanova. Subjectivity and the female double

A. Daleore. Transition in Serbian film industry in the example of female producers and directors

Documentaries, authors, interpretations

A. Bozheyeva. Post-totalitarian documentary film: the period as viewed by directors

T. Doncheva. Auteur interpretations in documentaries



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